Special Agent Donnelly is obsessed with finding the Man in the Suit. He's certain that Christine Fitzgerald knows where he is. So the last thing he expects is to end up on a date with her. But sneaking into a theater to watch the 1935 B&W movie version of “Les Miserables” isn’t really a date, is it? Even if there’s popcorn? And hand-holding? And maybe just a kiss or two? It’s still all just about finding the Man, right?

Years ago, Lionel Fusco had no choice. To save a young girl’s life, he shot and killed her gun-wielding father in front of her.

Years later, Harold Finch had no choice. To save a teenager’s life — and to keep her out of IFT’s servers — he kidnapped a heroin-addicted hacker and committed her to rehab against her will.

Now the young woman’s own attempts to make good choices have gone terribly wrong, and her Number’s come up. To save her life for a third time, Fusco, Finch, and John Reese will need to examine her choices – and their own.

In the aftermath of the episode “Lauren,” Spencer Reid finds solace in an unexpected visitor and a strange little statue – but do either of them really exist?

Just a straight-up H/C (well, just C, actually; the H has already been inflicted) interlude with an OFC resurrected from my story “Gideon’s Girl”.

Realizing the truth of a revelation, people around him, start to realize that without knowing the truth, one must accept that once an enemy, blood remain. How does Diego realize too late, and must accept the consequences. Is everything truly lost? Can someone help him, before his end.